
It's just hit Variety that Anthony Minghella's agent has confirmed that the acclaimed director has died of unspecified causes. Minghella had just completed filming of The No 1 Ladies Detective Agency, and was best known for his Oscar-winning work on The English Patient. Minghella's work repeatedly featured gay characters and themes, including a peripheral gay relationship in Patient and of course the troubled gay (or at least gay-seeming) psychopath at the center of The Talented Mr. Ripley. He is survived by children Hannah, a film executive, and Max, an actor.
Submitted by
on Tue, 2008-03-18 09:08.
I'm devastated.
Anthony Minghella was one of the few filmmakers that I could count on to create a film that was both marvelously entertaining and intellectually challenging. Truly, Madly, Deeply (with superlative performances by Juliet Stevenson and Alan Rickman), The English Patient and The Talented Mr. Ripley are among the finest films of the 90s. Cold Mountain may have been flawed, and some even complained about his earlier work, but there's no denying that he give the world something different, films that truly explored deeply moving themes and never took the easy way out. He will be greatly missed.
Check out my blog: http://radicalsexy.blogspot.com/
Cause of death
May he rest in Peace...
I understand that this man was a very gifted filmmaker and I applaud most of his work. Very sorry about his untimely death.
But it seems to me that I have a very negative memory when I watched "Mr. Ripley" in a packed movie theatre shortly after the film opened. I believe that the audience was lead into a gay panic and the homosexuality was presented in a very unattractive or desperate manner. The audience was quite repulsed as indicated by their groans.
Now I could be overly sensitive here because like many others I feel that 90% of the gay implication in the motion picture industry is portrayed as repellent, desperate or shallow stereotypes etc. That charater was a murderous social climber who was gay. Perhaps I should be upset with the person who wrote the book.
I hope that I am overreacting. Yet, I seem to remember an interview where he professed to be such and advocate of gay rights then I saw “Mr. Ripley” and could not understand how the creator of this film could be a friend of the gay man as creating another negative gay film charater.
Sorry to be pessimistic. I would appreciate it if anyone could help me fill in the blanks here. Or change my perspective and enlighten me.
My thoughts and prayers do go to his family and friends. From all reports Mr. Minghella was quite the good man. May he rest in peace.
I Think You're Wrong
Bruce Roger-
The movie you describe sounds so different from the one I saw.What I saw was a character starved for so many things,shut off from himself and the world around him by his circumstances.When by happenstance he meets Dickie(played to perfection by Jude Law),he feeds off the attention.At one point Marge confides to Tom that Dickie, whom they both adore, is like the sun, warming anyone he blesses with his full attention, and that it becomes cold when he turns elsewhere.Unfortunately he takes Dickie's need to seduce everyone around him for something more.The rest of the movie is him fighting to not go back to his previous life.
I think Mr. Minghella shows the struggle beautifully.Peter,Marge's friend is openly gay and is accepted. Ripley sees him as a perfect match,and when Tom goes to Venice he believes he can have a life with this guy.But then life intervenes and finally Tom is forced to decide between Peter and going back to the world he started out in and unfortunately that is something he cannot do.I think the theme of it being better to be a fake somebody rather than a real nobody resonates with so many people.
There is a greater humanity to Ripley in the movie than there is in the books.This is due to Mr. Minghella and to Matt Damon's performance.The Author(Patricia Highsmith) worte a charcter who is purely a sociopath,but interesting nonetheless. Thru Minghella's screenplay,we see Ripley's descent based on such desperation to stay in the light and what ultimately that costs.
Time for me to visit Mr. Ripley again...
Your comments were appreciated.
Yes, I was somewhat sitting on the fence so I think it is best for me to view the film again with a new perspective, especially after reading your comments.
As a true film buff it pains me to see how very unbalanced motion picture history has treated homosexulaity over the decades. The great Vito Russo was so right. Why must most gay characters in film be seen as dark, complex, murderous, devious, repulsive and stereotypical. Where is the balance? Just last night I watched Hitchcock’s brilliant ROPE and although not in your face it was clear that the two leading men were gay... and obviously murderers.
I will never forget the awful feeling in the pit of my gut watching "Strangers on a Train", Robert Walkers character of Bruno was a pure example of what I am talking about here. The list goes on and on and on.
We have a long, long way to go before the creative force in Hollywood changes their mindset. Here we are in 2008 and movies still use gays as fodder for cheap jokes or villains.
Bruce Roger
Very sad news
"The English Patient" is one of my favourite movies since 1980.
Cheers
JBE
orpheuscrew wrote: and
Maybe I was just a bit overly sensitive, but I found Tom's method of making his "decision" deplorable. It didn't resonate with me in the least.
Yet until then I was pulled-in. Actually rooting for Tom to get away with his actions and deceptions since most of the people around him in Dickie's world were abysmal souls. But then he runs into Cate Blanchett's character and makes that one last decision. Tom would have done better to throw himself overboard that fateful cruise.
Don't trouble yourself Doctor -- I'm a celebrity, I'll write my own prescription.