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News, Reviews & Commentary on Gay and Bisexual Men in Entertainment and the Media

BBC Radio edits Kirsty MacColl's Christmas collaboration with The Pogues

UPDATE: BBC 1 has already reversed their decision. The "cheap lousy faggot" is back in Christmas, where it belongs. (BJ)

In Britain, Kirsty MacColl (who died seven years ago today) and The Pogues' Christmas-themed song "Fairytale of New York" is an annual tradition. The tune gets the kind of play "All I Want for Christmas is You" does in the States. (I. Am. So. Envious.) However, after twenty years of annual airplay, BBC 1 Radio has begun playing an edited version of the popular song.

If you're unfamiliar with "Fairytale of New York," MacColl and Pogues frontman Shane MacGowan play a raucous couple who spend their Christmas bitterly fighting with each other over broken dreams and wasted opportunities. Amid the many insults the couple throw at each other, MacColl sings "You scumbag, you maggot/You cheap lousy faggot/Happy Christmas your arse/I pray God it's our last". This year, BBC Radio is playing an edited version which, according to a BBC spokesperson, had the word "faggot" faded down, taking it out of the song.

With the song being an annual tradition, the change is controversial. The late MacColl's mother, Jean, called the alteration "ridiculous" while a Pogues spokesperson said that the band found the change amusing, considering that the song has been heard for so long without incident. Fans, meanwhile, are making the predictable cries of "It's political correctness gone too far!" as can be seen in the comments of this BBC Radio blog. (One comment interestingly notes that "slut" was also edited out, though the controversy entirely focuses on the f-word.)

Now, I can totally understand how "Fairytale of New York" can offend; I gave the song a bad introduction to a roommate once when he walked into the apartment just as MacColl was rhyming "maggot" with "faggot", so I can understand how it can inflame sensitivities. "Fairytale of New York" is a song that has to be put into context and I do wonder about what message casual radio listeners are getting.

Still, if the song gets heavy airplay every year, don't most people know what it's all about? This is one of those bits where I don't really have the cultural empathy to get all the nuances of the controversy. I can't imagine a song as unhappy as "Fairytale of New York" becoming a Christmas standard, here, much less the general audience's ability to put it in context. What do you think? I'd love to hear how our British readers feel about the incident.

In case you're unfamiliar with "Fairytale of New York" you can check out the video right here. (And if you're familiar with the song you'll likely want to check it out anyway.) Of course, the sound may be NSFW with all of its insulting words:

  • Lyle Masaki's blog
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  • JBE's picture

    "Fairytale of New York"

    is one of my favourite Christmas songs, it is frankly one of my favourite 1980's songs period. No, I did not get offended by the use of the word "faggot". You have to take it into context with the rest of the song. I have known married couples who used words much worse then these! Cheers JBE
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    Christie Keith's picture

    Best. Song. Ever.

    I agree, this is one of the great songs of the 80s, or, well, ever.

    The characters in the song are not supposed to be sympathetic -- or not strictly sympathetic. They're losers, drunks, addicts, at the end of their lives looking back. And it's not happy or meant to be.

    It's a heartbreaking song and the use of the word "faggot" is a perfectly valid part of the story and the characterizations. To object to it is absurd, if you listen to the song at all.

    The Irish Tenors recorded a cleaned up version of this, by the way... freaked me out!

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    Bobbyjoe's picture

    It Was Christmas Eve, Babe, In the Drunk Tank...

    God I miss Kirsty MacColl. If anyone wants to give themselves a Christmas present, they should go out and immediately buy one of her albums.

    As to "Fairytale of New York"-- a song I love (and I'm pretty hypersensitive to gay slurs in entertainment)-- you definitely have to understand the Pogues.  For one thing, Philip Chevron, one of the key members of the band, is openly gay and a gay rights activist (I hear Chevron has been diagnosed with throat cancer this year, so if you're a Pogues fan, remember him in your drunken prayers).  For another, there's a lot of sexually ambiguity in various Pogues songs, from the male Shane MacGowan (who is not gay, but who sure seems to be attracted to gay imagery) singing longingly about what sounds like a man's "pair of brown eyes" to the female Cait O'Riordan singing that she's "a man you don't meet every day." (and, frankly, there's more than one Pogues song where Shane MacGowan sings about sucking c*ck... For cryin' out loud, one of their most popular albums is called "Rum, Sodomy, and the Lash"!) 

    Usually, the only love songs that are unambiguous on Pogues records are the ones that are written to whiskey and beer.  And if you doubt Kirsty MacColl is unfamiliar with a gay sensibility, go listen to her album "Tropical Brainstorm," particularly a song like "In These Shoes" which might as well have been the theme song to "Sex and the City."

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    JBE's picture

    Could not agree

    more about Kirsty MacColl, her song "New England" is one of the most poignant of the 1980's.  Her death was so avoidable, hit by a improperly operated speed boat while she was swimming in the water on vacation (the Caribbean?).

    As for the album "Rum, Sodomy and the Lash" that title came from of all people Winston Churchill, who retorted heatedly when people criticized him for attacking the Royal Navy's cherished traditions, "the only tradition the Royal Navy has is rum, sodomy and the lash!"  Makes you wonder what was going on below decks in the 18th and 19th century British warships!

    Cheers

    JBE

    Lyle Masaki's picture

    "Walking Down Madison"

    is the song that sticks with me. It's stunning how well that song captures its subject. It's one of those few songs where you can't change a thing, because every little bit contributes meaning, right down to that pop chart-friendly dance beat.
    Brian Juergens's picture

    I would tend to agree...

    in regards to The Pogues in general. I mean, they named themselves The Pogues!!

    "pogue, which can refer to a homosexual or be used as derogatory name for a soldier or marine."

    Jay's picture

    I was offended by it when I

    I was offended by it when I realised, if I'm being honest. I loved the song when I was growing up, I still do, but as soon as I found out what 'faggot' meant and I heard the song in new light, my heart went cold. I hate with a passion any words like that, 'queer' 'poof' 'queen'...anything. So I agree with the BBC's original decision, it should be faded down. It's a loved song by millions, young kids are very impressionable and if they hear it they'll very likely repeat the insult to other people. It's not political correctness gone mad at all, it's just respect for minorities. Simple as that.
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