News, Reviews & Commentary on Gay and Bisexual Men in Entertainment and the Media

Goodnight, Queer Eye

Last night, Bravo aired the series finale of Queer Eye, a show that was a breakthrough when it debuted in July of 2003 as Queer Eye for the Straight Guy (with its time slot partner the gay dating show Boy Meets Boy). Proudly announcing the sexual orientation of its stars in the series' title, the series made gay men the leads of a reality TV show. Instead of chasing away viewers by being so openly gay, Queer Eye became an instant hit that brought buzz to Bravo, the former arts and culture channel. The show was such a sensation it got special airings on (Bravo's corporate sibling) NBC, was highlighted on the cover of Entertainment Weekly and inspired a variety of international editions and one short-lived spin-off. The show's audience included viewers in conservative areas of the country that was expected to avoid a show with "Queer" in the title, seeming to signal an unexpectedly optimistic level of gay acceptance.

That excitement faded quickly, however. A year later, viewership was down by nearly 40% (though it was still Bravo's most-watched show at the time) and the show was discussed less as a step forward for gay visibility. Instead it was seen more as a re-enforcement of a limiting "model minority" stereotype that positions gay men as helpful fairy godfathers who use their cultural expertise to help straight people improve themselves.

While I find those complaints valid, I think it'd be a shame to overlook what the series accomplished. Not only did it show that a program led by gay men can find a widespread audience, it helped set the tone for the variety of gay-inclusive shows on Bravo. We regularly see gay competitors on Bravo's talent-based competition shows who are valued for their abilities. Meanwhile, Bravo's reality soaps like Work Out and Flipping Out show us gay people who are talented and have complicated personal lives. More importantly, when we caught up with Ted Allen, Kyan Douglas and Jai Rodriguez before the final season's debut, they talked about hearing from gay viewers who were happy to finally find someone they could look up to. Even after the buzz had faded, Queer Eye tried to bust down barriers, like in one episode that featured a transsexual male.

While Queer Eye's time has clearly come and gone, it'd be a shame to forget that it represented a step forward for gay representation. Happily, things have moved so quickly in Queer Eye's wake that it made itself obsolete.

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  • Mike S.'s picture

    A Better Burial....

    Maybe "Queer Eye's" time had "clearly come and gone," but it would have been nice if Bravo had given it a better sendoff.  Burning off two episodes a week and no final show was not a fitting end to a series that put the network on the map.  If I were a Bravo executive, I would have done a finale recapping the best moments, given the Fab Five a chance to say farewell--and moved on.  "Queer Eye" deserved a more respectful funeral that the short shrift provided by the Bravo-NBC-GE suits!  So long, "Queer Eye."  You won't be forgotten. 

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    Evan's picture

    Goodbye

    Yeah, they were gipped.  However the show ran it's course.  This last season had a string of ungrateful straight guys.  To be a second class citizen helping out our oppressors and then they be ungrateful for the help could not be more insulting.  I watched the show for the interaction between the guys.  They were really great together.
    hypertwink's picture

    I remember the first season

    I remember the first season to be the most fun and almost spontaneous.  So I could forgive got most of them pushing the envelope on how long could the straight guy hold out before reacting to their shenaningans.  But after a while, Kyan "bro"-ing every guy they make over is a little irritating...I mean, they've been at it for years and he still seems awkward saying it.  Also, Carson feeling up the guys?  Not so great when these are jumpy straight men and you come off as a stereotype.  But then again,  there was the UK version where they had a guy get a waxing.  All over, and two of them were right there ogling and doing commentary on the side.  Oh well.

    I think my favorite straught guy is still Butch (the painter from season 1) and also, Patrick (aka Fatty Patty) - they were cool.

     p.s. One of the unintentionally funny moments that I loved was Jai with this guy who loved cars.  As the culture vulture, he gave the guy a surprise and pimped up the guy's car, so they went to this garage...and I thought Kyan was awkward. From the moment they went in, Jai was at a loss trying to be down with the guy and the "macho" staff as well as talk shop. which he clearly know little about.  He'd try but you knew the guys were just being polite letting him spout whatever it is he had to say.   And then they'd all go back discussing the car.

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