 |
| Find
Articles On: |
|
 |
|
| TV
Shows: |
|
 |
|
| Extras:
|
|
 |
|
|
Interview
with Chad Allen on Third Man Out
by Gregg Shapiro, August 16,
2005
Out gay actor
Chad Allen, whom many will recall from his numerous television roles including
Tommy on St. Elsewhere, David on Our House, and Matthew
on Dr. Quinn, Medicine Woman, takes on a very different character,
bringing gay private investigator Donald Strachey to life in the movie
adaptation of Third Man Out.
Allen is
charming as the gay P.I. hired to investigate the death threats being
made against gay activist and muckraking journalist John Rutka (Jack Wetherall
of Queer As Folk fame), and as the suspenseful mystery unfolds,
viewers will find themselves on the edge of their seats.
Third
Man Out will be making its television debut in September on here!
TV. I spoke with Allen shortly before that.
AfterElton.com:
Third Man Out screened in July at the Philadelphia International
Gay and Lesbian Film Festival. Were you there for the screening, and if
so, what was that experience like for you?
Chad Allen: I was there, actually. It was the world premiere
of the film. It was a blast. I have to tell you that the Philadelphia
International Gay and Lesbian Film Festival is just a fantastic film festival
all the way around. The people who run it are just fantastic. The audience
genuinely loves film. They enjoyed our movie and we enjoyed showing it
to them. It was a great experience. It also screened the following week
at the Los Angeles Outfest, and that was it, since the film already has
a home and doesn’t require the festival circuit to find distribution.
We did a couple of festivals to get the word out and to get publicity
and the movie is about to air on its home, here! TV.
AE:
Third Man Out is based on Richard Stevenson’s Donald Strachey
mystery novel of the same name. Had you read any of the books in the series
prior to signing on to do the movie?
CA: The only book I’d read prior to signing on was Third
Man Out. I liked it. I particularly loved the relationship between
Donald and Timothy. I felt like there was some work to be done to complete
the transition from book to film. For instance, in the book series, Donald
is a forty-something year old guy (laughs). I knew there was some work
to do on Donald if it was going to work with me as the actor. Everybody
agreed that was the thing to do. Once I actually signed on to do (the
other) movies, I got to read all the other books and see what was in store
for the rest of the series. It’s been cool.
AE:
Strachey comes from the tradition of downtrodden P.I.s of fiction and
film. Do you have a favorite detective from that genre?
CA:
I grew up watching Columbo films, so I’m really close to those stories.
A lot of our film is a bit of an homage to Nick and Nora.
AE:
The dog and everything.
CA: There are a lot of little elements. I must have watched that
film twenty times before we made Third Man. It’s a fantastic
picture and those actors are incredible. I really encouraged Sebastian
(Spence), who played Timothy, to watch it as well. I would love for this
to be a gay Nick and Nora. We almost shot it in The Thin
Man’s schedule. They shot it in ten shooting days. We shot
Third Man in twelve. Didn’t quite make it, but almost (laughs).
AE:
I’m really glad that you mentioned the relationship between Donald
and Timothy, because it is very sweet and feels real. Third Man Out
has an erotic, yet tasteful, love scene between the two of them. What
was it like to film such a scene?
CA: It was the first gay character I’ve ever played in
my life. For me, it was amazing, because I’ve been out forever and
it was something that I always wanted to do and, for years, was told that
I just wasn’t gay enough for any characters (laughs). It was really
exciting, after doing hundreds of love scenes, the first being with Helen
Hunt, so to finally be doing it with a guy was really exciting for me.
To be paired
up with Sebastian, who is straight, and sort of nervous, but completely
gracious about the whole thing, was also kind of interesting because the
tables were turned. I thought it was a beautiful scene. Nobody was interested
in making any kind of gratuitous love scene, gay or straight. We wanted
make something that matched up with the film. I think it’s a respectful,
interesting, fun noir thriller and we wanted the love scene to match it.
It’s one of my favorite sequences in the whole movie, and the kidnapping
montage that goes along with it. I was really impressed with (director)
Ron Oliver’s work in that.
Page
1 / 2 - Next
|
|