News, Reviews & Commentary on Gay and Bisexual Men in Entertainment and the Media

horror

"Gay Zombies": This is why I still have a job

Sometimes I look around at the media landscape and think, "You know, maybe things aren't so bad. Maybe gay visibility and understanding and common decency are really making headway, and I should start sending my resume over to Cat Fancy Online before the groundswell of gay acceptance renders my job irrelevant."

And then I come across sh*t like Gay Zombies.

A product of the always-inspired College Humor site (I still can't decide if the name is more of an insult to college or to humor), Gay Zombies (or at least, Gay Zombie, as the clip itself apparently can't be bothered to decide) pretty much sums up everything that makes me want to curl into a ball around a bottle of Maker's Mark and cry myself to sleep every afternoon night.

Rampant dated gay stereotypes (hairdressing! fashion! lisps!)? Check. Predatory gay sexuality? Check. Straight white men running around beating gay men in the face with shovels as "comedy"? Check.

The thing is, these guys probably think that they're being "irreverent" and "daring" by making this. Maybe they're not homophobic at all. But if so, they're also apparently too stupid or insensitive to realize that what they've created isn't sending up stereotypes, it's reenforcing them. And I honestly don't know which is worse: a "filmmaker" who has a blatantly anti-gay agenda, or a "filmmaker" who is so utterly incompetent in the crafts of storytelling and satire that they don't realize that what they're creating is toxic crap.

(And Gay Zombie dudes, lest you think that I'm just some bitchy queen who doesn't "get" horror movies, I run a horror website and can out-zombie you any day of the week. Maybe Gay Robot is hiring interns?)

Two-Bite Interview: Gay horror novelist Rick R. Reed

 

Horror author Rick R. Reed has been thrilling gay fans of the genre for years, with his Twisted Tales of Obsession and Deadly Vision. Rick has hit every spine tingling nerve for gay men. His most recent efforts included the vampire yarn In the Blood and the serial killer spine tingler IM, which is about gay men being stalked in sex chat rooms. Let’s check in with Rick, if you dare…..

AfterElton.com: What first made you realize you were into horror?
Rick R. Reed:
God is Dead. Roman Polanski used a shot of this TIME magazine cover in Rosemary's Baby and it's really a frightening thought. I think horror, boiled down to its purest essence, is all about death, which is unrivaled as a basic human fear. And horror is all about fear.

AE: Give us your thoughts on why you think gay guys like horror.
RRR:
In every horror story, there are outsiders (whether they're victims, heroes, or protagonists) and I think, for a very long time, gay people in general can strongly identify with an outsider. Horror usually gives us more outsiders than other genres, so I can see this as one reason for the appeal to gay audiences. For example, in my book IM, which is about a serial killer preying on gay men via internet hookup sites, many readers have identified with the very basic terror of the book: which is the danger we expose ourselves to when we invite complete strangers into our homes, something many of us, myself included, have done. The internet has facilitated this behavior. Besides playing on the "outsider" theme in victims, hero, and villain, IM also explores the dark side of anonymous hook ups and gives the reader a chance to see the bad end some of us come to, and how some of us escape it.

AE: Speaking of which, IM really hits the horror genre close to home for gays.
RRR:
Right, IM, almost inadvertently hit a very responsive chord with gay men, many of whom now find sexual and romantic partners via the internet, which is a very widespread--and very modern--way of meeting. But the real horror at the heart of the book is that a monster has gotten inside your house and maybe what makes that even more horrific is that this modern resource (the 'net) has allowed you to invite that monster in yourself.

AE: Chicago is the backdrop for most of your novels, why is Chi town spooky & gay?
RRR:
I set a lot of my stories in Chicago because I lived there for a good part of my adult life (I just moved to Miami about a year and a half ago). It's a great city for horror stories because it has its own history of horror replete with hauntings, great crime tales, and the moody, ever changing backdrop that both the tough urban landscape and the lake provide. Why is Chicago gay? Need you ask? (laughs)

AE: Which known horror figure would you most like to have a fling with?
RRR:
Well, certainly not Timothy Bright, from IM! The obvious choice to go with Anne Rice's Lestat. He's so dark, handsome, and romantic. You just know he'd be a very slow, deliberate lover.

Log on to find out more about “Scary Rick” at his Myspace page or official site.

Stark Raven mad?

We just got news that the here! gay television network has wrapped production on an adaptation of Edgar Allan Poe's The Raven, directed by half-naked-boys-in-peril auteur Dave DeCoteau.

You might be familiar with DeCoteau's particular brand of tidy-whitey horror from such movies as The Brotherhood, Leeches, and Voodoo Academy, which lined up scores of Abercrombie-ready fellas and placed them in perilous -- and oftentimes hilariously homoerotic -- situations. Now that DeCoteau is directing for here!, let's hope that the loaded glances and clothing-optional satanic rituals that fill his films graduate to something a little more concrete.

Here's a note from the press release about the film:

Edgar Allan Poe's The Raven, from a screenplay by Matthew Jason Walsh (The Brotherhood), puts a new spin on the gloomy and macabre proceedings of the classic Poe story. The film centers on a group of young men and women in Britain who throw an extravagant party at an eerie mansion said to be the site of an infamous mass-murder. When the festivities are cut short by an ominous visitor, all hell breaks loose. As the murderer begins picking off the party participants one-by-one, old grudges resurface and new suspicions arise, making the entire affair a deadly night to remember.

I've been a fan of DeCoteau since he made the cult classic Sorority Babes in the Slimeball Bowl-O-Rama back in the 80's, and he's an absolute doll besides -- to learn more about this homo horror legend, read our interview with him from last Halloween.

The above pic, by the way, is of Dave directing two young bucks on the set of his film Beastly Boyz. It's a tough job, but somebody's got to do it.


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