News, Reviews & Commentary on Gay and Bisexual Men in Entertainment and the Media

Betty White

Eight TV shows I wouldn't have suffered through were it not for my gay icons

Last week, our sister site gave offered a list of the actors they'd watch in (almost) anything, which ties nicely into something I've been thinking about: mediocre-to-bad shows I wouldn't have watched if not for one of my gay icons.

Mary Tyler Moore and Madeline Kahn
made me watch New York News

It sounded promising before it debuted: a fast-paced newspaper drama with Mary Tyler Moore as a tough editor-in-chief and Madeline Kahn as the gossip columnist. (And apparently 80s studmuffin Gregory Harrison was also a part of the cast, according to that picture.) That bit of casting was so genius the rest of the show had to be amazing, right? Eh, unfortunately not. New York News' stories were entirely forgettable and while Mary brought what she could, the show never made her character as tough as she could have been. Kahn, meanwhile, occasionally got a good storyline as a woman with a very misplaced set of priorities, but most episodes focused on the younger characters who weren't my reason for tuning in.

Margaret Cho
made me watch All American Girl

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Back in my college days, Margaret Cho was the one comedian who we could never get enough of seeing and the idea of her having her own sitcom was too exciting. Unfortunately, the show failed to live up to her talent ... even then I caught every episode I could, I figured with a talent like Cho chances were good that once All American Girl was canceled, we wouldn't see her on TV again for a long time.

Lynda Carter
made me watch Law & Order: SVU

I know the long lasting franchise has its fanbase but its tendency to stick to formula can really drive me crazy. But I made an exception when the mothership and Special Victims' Unit held a cross-over that included a guest-appearance by Lynda Carter (whom we don't get to see on television often enough). Unfortunately, the first part turned out to be one of the ickiest hours of television I've seen in ages. In one of those way-too-complicated-to-take-seriously schemes, Carter played a con artist pretending to be estranged from her daughter (Estella Warren), herself a con artist who would date high profile men, slip them a date rape drug and... uhm, harvest material to sell in a high-end sperm bank. Bobby Flay had a cameo role as one of Warren's victims, but we never see the SVU detectives telling him he might have been victimized, as if that didn't matter. Carter was fabulous, with the kind of strong presence that made her perfect as Wonder Woman, but the rest of the story left me wanting to stay away from SVU.

Madeline Kahn
made me watch Mister President


Madeline Kahn with someone other than George C. Scott

Yes, Madeline Kahn gets two entries on this list; she was one woman I was willing to watch read the phone book and the then-fledging Fox network certainly got my attention when they added her to the cast of Mister President as George C. Scott's ----. While Kahn delivered on the laughs, Mister President was a quietly serious dramedy before her arrival and the addition of her broad comedy made the show a confused mess. Fox would have been better off canceling Mister President and giving Kahn her own vehicle. It's not like Oh, Madeline! was that bad.

210ubdotz.jpg
It’s war! Daniel vs. Alexis. Henry vs. Gio. And Betty White vs. Wilhelmina.

Ugly Betty preview: A Golden Girl and a shirtless Henry

Ugly Betty returns tomorrow night with episode 210: “Bananas for Betty.” This will be it for the show until the new year, when the last three episodes in the can will air on January 3rd, 10th, and 17th. Assuming the writer’s strike isn’t resolved soon, that’s probably going to be it for the season.

Bummer, but perhaps it’s just as well. After hitting a comedic peak a few weeks ago (with Wilhemina and Bradford’s wedding) the show seems to be floundering a bit. Was it just me, or was Eliza Dushku’s guest stint on the last episode a total misfire?

Here’s hoping tomorrow night’s installment will be a return to form. The preview clips are certainly funny, and we have two big things to look forward to: Betty White

...and more of Christopher Gorham shirtless! What’s not to love.

You can check out Betty and Henry’s “erotic” hot fudge sundae scene in the video clip after the break. And if you haven’t already, check out our new resource page for Ugly Betty where you’ll find all of Steven Frank’s hilarious recaps as well our featured UB articles, cast interviews, and Ugly Betty discussion forums to boot!

Wall Street Journal asks Betty White why the gays love her

Although it may be hard to believe, the Wall Street Journal actually broached the "gay following" subject with veteran actress Betty White. In the May 4th issue, Brooke Barnes interviewed White about the current state of comedy on television, why networks are struggling to keep sitcoms on the air and why she gets so much praise from the gays.

White provides some interesting and compelling answers through the Q&A. She explains that trying to cater to the lowest common denominator, having too many new channels trying to provide new content and having viewers desensitized to the novelty of television have all assisted in the lack of hit sitcoms in recent years.

Here’s the excerpt about the gay following of her hit show The Golden Girls:

WSJ: A network executive recently remarked that The Golden Girls has become a cult phenomenon among gay men. Why do you think that is?

Ms. White: There has always been a huge cult following for the show in the gay community. When the show was originally airing, the gay bars on Saturday night would all shut off their music at nine o'clock, put on the show, and then start up the music and start dancing again afterwards. We always got such a kick out of that.

Barnes also introduces the interview by stating that when White was asked about her gay following, she said “well, the gays know funny”. That we do, Betty -- that we do! We also love Betty because she keeps a clean house and looks fabulous doing it -- check out this commercial for Fantastik circa 1967 to see how:


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